Bombas
Working with the crew at Bindery NYC and director Kristine Tsui, my roles both on set and off included visual effects supervision, post production. We experimented with different shooting techniques, on different background plates, frame rates and resolutions both with green and blue screens.
The Jell-O mold table shot involved significant challenges as it was purposely art directed using practical reflective items and surfaces that needed to be married with CG. We wanted our jumping sock model’s movements to feel natural within the VFX which required multiple tests using blue screen over a reinforced trampoline to match the firmness and appearance of Jell-O.
